The Long Man of Wilmington

The Long Man of Wilmington: the mysterious guardian of the South Downs, who has baffled archaeologists and historians for hundreds of years.
 http://sussexpast.co.uk/properties-to-discover/the-long-man
Until recently, it was believed that the earliest record of Europe’s largest representation of the human form was a drawing dated to 1766.  The artist was William Burrell, and the drawing was made during his visit to Wilmington Priory, which lies under the steep slopes of Windover Hill, home to the 235 feet high Wilmington Giant. In 1993, however, a new drawing of the Long Man was discovered, made by the surveyor John Rowley in 1710.
The new drawing has confirmed some theories and dispelled others. It suggests that the original figure was a shadow or indentation in the grass rather than a solid line; there were facial features that are no longer visible; the staffs being held were not a rake and a scythe as once described and the head was once a distinctive helmet shape, giving credence to the idea of the figure as a helmeted war-god.
Until the 19th century the Long Man was only visible in certain light conditions and after a light fall of snow, but in 1874 it was marked out in yellow bricks. It is claimed that during this restoration the feet were incorrectly positioned but, despite popular local legend, there is no evidence, historical or archaeological, to suggest that prudish Victorians robbed the Giant of his manhood!
In 1925, the site of the Long Man was given to the Sussex Archaeological Trust (now the Sussex Archaeological Society) by the Duke of Devonshire. During World War II, the figure was painted green to prevent enemy aviators using it as a landmark. In 1969, further restoration took place and the bricks were replaced with pre-cast concrete blocks that are now regularly painted to keep the Long Man visible from many miles away. The terracettes, horizontal ripples in the turf, change constantly as the soil is rolled downhill by weathering and animal activity. Overnight, between 17 June and 18 June 2010 a giant phallus was painted on the Long Man rivalling that of the Cerne Abbas Giant.

The lack of firm historical evidence still leaves many theories abounding about his history. Many Sussex people are convinced that he is prehistoric, other believe that he is the work of an artistic monk from the nearby Priory between the 11th and 15th centuries. Roman coins bearing a similar figure suggest that he belonged to the 4th century AD and there may be plausible parallels with a helmeted figure found on Anglo-Saxon ornaments.
Fertility symbol? Ancient Warrior? Early 18th century folly? We may never know. Until such time as new evidence is unearthed, we shall have to content ourselves with the words of the Rev A A Evans who said, “The Giant keeps his secret and from his hillside flings out a perpetual challenge.”