Birling Gap at Sunset

Birling Gap from the beach at medium tide. 

Sunset time.

Hope

Five Shades Of Grey

Game of lights on the Channel as seen from the cliffs near Seaford

Barn

                                                 Barn lost on the South Downs hills


                                                                      BARN

                                                              creaky old barn
                                                         shelters you from rain
                                                    old barn it's leaking through
                                                         the roof yet, when the
                                                             hard wind blows
                                                               you are eating
                                                                       dust.



                                                                    Corbett,
                                                                  Dec 7, 2012

Wave

O thou whose face hath felt the winter's wind
( J.Keats )

Murky and Misty

Murky and misty day on the South Downs near Ovingdean

Dusk at sea

 

                             Dusk at Sea

By Thomas S. Jones

1882-1932

---

To-night eternity alone is near:
         The sea, the sunset, and the darkening blue;
Within their shelter is no space for fear,
         Only the wonder that such things are true.

The thought of you is like the dusk at sea --
         Space and wide freedom and old shores left far,
The shelter of a lone immensity
         Sealed by the sunset and the evening star.

The shades of night are falling fast

Cophall Wood

The Long Man of Wilmington

The Long Man of Wilmington: the mysterious guardian of the South Downs, who has baffled archaeologists and historians for hundreds of years.
 http://sussexpast.co.uk/properties-to-discover/the-long-man
Until recently, it was believed that the earliest record of Europe’s largest representation of the human form was a drawing dated to 1766.  The artist was William Burrell, and the drawing was made during his visit to Wilmington Priory, which lies under the steep slopes of Windover Hill, home to the 235 feet high Wilmington Giant. In 1993, however, a new drawing of the Long Man was discovered, made by the surveyor John Rowley in 1710.
The new drawing has confirmed some theories and dispelled others. It suggests that the original figure was a shadow or indentation in the grass rather than a solid line; there were facial features that are no longer visible; the staffs being held were not a rake and a scythe as once described and the head was once a distinctive helmet shape, giving credence to the idea of the figure as a helmeted war-god.
Until the 19th century the Long Man was only visible in certain light conditions and after a light fall of snow, but in 1874 it was marked out in yellow bricks. It is claimed that during this restoration the feet were incorrectly positioned but, despite popular local legend, there is no evidence, historical or archaeological, to suggest that prudish Victorians robbed the Giant of his manhood!
In 1925, the site of the Long Man was given to the Sussex Archaeological Trust (now the Sussex Archaeological Society) by the Duke of Devonshire. During World War II, the figure was painted green to prevent enemy aviators using it as a landmark. In 1969, further restoration took place and the bricks were replaced with pre-cast concrete blocks that are now regularly painted to keep the Long Man visible from many miles away. The terracettes, horizontal ripples in the turf, change constantly as the soil is rolled downhill by weathering and animal activity. Overnight, between 17 June and 18 June 2010 a giant phallus was painted on the Long Man rivalling that of the Cerne Abbas Giant.

The lack of firm historical evidence still leaves many theories abounding about his history. Many Sussex people are convinced that he is prehistoric, other believe that he is the work of an artistic monk from the nearby Priory between the 11th and 15th centuries. Roman coins bearing a similar figure suggest that he belonged to the 4th century AD and there may be plausible parallels with a helmeted figure found on Anglo-Saxon ornaments.
Fertility symbol? Ancient Warrior? Early 18th century folly? We may never know. Until such time as new evidence is unearthed, we shall have to content ourselves with the words of the Rev A A Evans who said, “The Giant keeps his secret and from his hillside flings out a perpetual challenge.”

Barley

Oh Good Ale

It is of good ale to you I'll sing
And to good ale I'll always cling,
I like my mug filled to the brim
And I'll drink all you'd like to bring,
O, good ale, thou art my darling,
Thou art my joy both night and morning.
It is you that helps me with my work
And from a task I'll never shirk
While I can get a good home-brew,
And better than one pint I like two
O, good ale, etc.
I love you in the early morn
I love you in daylight dark or dawn,
And when I'm weary, worn or spent
I turn the tap and ease the vent,
O, good ale, etc.
It's you that makes my friends my foes,
It's you that makes me wear old clothes,
But since you come so near my nose
It's up you comes and down you goes,
O, good ale, etc.
If all my friends from Adam's race
Were to meet me here all in this place,
I could part from all without one tear
Before I'd part from my good beer,
O, good ale, etc.
And if my wife did me despise
How soon I'd give her two black eyes,
But if she loved me like I love thee
What a happy couple we should be,
O, good ale, etc.
You have caused me debts and I've often swore
That I never would drink strong ale no more,
But you for all that I forgive
And I'll drink strong ale just as long as I live,
O, good ale, etc.

 Sung by Bob, Ron and John Copper on the Song for Every Season LP
http://www.thecopperfamily.com/

Field

Low tide

Cuckmere River

Abbot's Wood -Amble Trail-

Abbot's Amble Trail- 2.5Km (1.9 Miles)

Abbots Wood derives its name from the times of Henry I, when the wood was gifted to Battle Abbey and overseen by the Abbot (hence Abbots Wood).
Ditches and banks within the trees give clues to ancient times. A mixture of tree species can be found, each with a different use. Recent conifer plantations are harvested for timber needed in paper and chip board manufacture.
Coppicing Hazel and Hornbeam for firewood enables rarer species like Dormice and Pearl Bordered Fritillaries to live in the wood.
http://www.forestry.gov.uk/website/wildwoods.nsf/LUWebDocsByKey/EnglandEastSussexAbbotsWood

Belle Tout

 

The Belle Tout Lighthouse was built in 1832 and decommissioned in 1902. It has been a tea-shop, a home ; part-destroyed during the second world war, was lovingly rebuilt in the 50's. In 1986, the BBC purchased the lease to Belle Tout for the filming of mini-series The Life and Loves of a She-Devil and a year later it featured in the James Bond film The living Daylights.
By 1999 the erosion of the cliffs was threatening the foundations of the building and drastic steps had to be taken to stop it from falling into the sea. On 17 March 1999 in a remarkable feat of engineering work the Belle Tout was moved 17 metres (56 ft) away from the cliff face. The 850-ton lighthouse was moved using a pioneering system of hydraulic jacks which pushed the building along four steel-topped concrete beams that were constantly lubricated with grease. The site should now be safe for many years and has been designed to enable further moves as and when they are required.
It is currently a luxury hotel.